K[dropcap size=big]K[/dropcap]ickstarter, and crowdfunding in general, is a unique experience that allows ideas to come to fruition and it lets a developer keep in touch with their fan base. And the good ones keep this conversation open long after the campaign ends, going so far to give as much transparency to the ongoing development as possible. I’ve talked a bit about projects that fail the first time but manage to make it after a second attempt, but what about those who do get funding out of the gate but still manage to have problems?

For those who follow projects that they’ve backed and read every update released, it shouldn’t come as a surprise that games almost always go way past their estimated release date and a lot go over budget. And this has certainly hit the adventure community hard. I can’t really comment on other genres as I don’t follow them quite as closely but I wouldn’t be surprised if they followed the same pattern.

Leisure Suit Larry Reloaded

In order to get extra funding to finish off a project (game or otherwise) developers often have to find other means to go about doing this. The most common ones seem to be either dipping into their own wallets and hoping to pull out enough to make it across the finish line or by going to publishers to help supplement their funds. For example, Paul Trowe claimed that he had to drop an extra $600,000 or so to finish off Leisure Suit Larry: Reloaded (although based on information that I’ve managed to glean about their finances I find this a bit dubious) and the Coles just recently announced that they’ve had to put a sizable chunk of their own (including putting their house up on collateral) to help with the development of Hero-U.

Broken Age

Another way to make sure that enough money flows into the coffer is to release part of a game and let the sales for it help fund the rest of the game. The most notorious example of this is Tim Schafer’s Broken Age. Having gone through all of the Kickstarter funds they realized that the scope was too large to continue and used the money from sales to boost the rest of the game. Steam’s “Early Access” platform is another similar example to garner early funds to finish the game. Neither have been exactly welcomed with open arms. In fact, both have gotten a lot of criticism from the gaming community down to outright hostility.

Hero U

And then we have projects that don’t go any of the above routes and instead look towards Kickstarter as another way to hopefully get more money from the loyal fans. While there have been a fair number of projects to go this route, the most recent one being the announcement of the second Hero-U campaign, it’s just as polarizing as the above ways. It’s hard to ask for more money from people who already gave good money to see an idea realized. And while the most rabid fans would gladly help out (financially or otherwise) going this route is a mixed bag.

The problem with asking for more money through crowdfunding is that this “double dipping” approach makes one look either desperate or inept when it comes to balancing the checkbook. And just by reading the comments regarding the Hero-U announcement this approach could conceivably bite the Coles in the proverbial ass. A number of people have already stated that they won’t back a second time and that a few are even thinking about asking for a refund from the first campaign. And this is not the first time I’ve seen outcry like this. But it is the latest. And I’m sure it won’t be the last, either.

The thing is this. If you have little to nothing to show for a game that you’ve been working on for a year or two and you come back to Kickstarter (or Indiegogo or whatever) asking for more because your funds are dried up you should expect this backlash. There will be people who would gladly give more, but an even larger percentage would say “Sorry, you had your chance” and walk away.

Quest for Infamy

That said, returning to Kickstarter can also be a lucrative endeavour and I’ve seen plenty of creators start up campaigns for more projects beyond their first. The people at Infamous Quests did another campaign for their Quest for Infamy Hint Book and just recently finished up a successful campaign for three more games. And AJ Tilley has a respectable number of successfully funded visual novels under his belt as well.Sword of Asumi

Still, returning to Kickstarter to fund a second (or third, etc) idea doesn’t always work out in the end. Senscape couldn’t reach their goal to make the H.P. Lovecraft adventure based off of the Case of Charles Dexter Ward despite having funded Asylum earlier. Which is probably due to not having much to show on the previously funded game despite already being a successful company through Scratches. It’s certainly one of many reasons for sure.

dexterwardlogo

When I joined Kickstarter back in the early months of 2012 the site was a much different beast back then. You could get away with having little-to-nothing to show and still make six or seven digits as was the case with many projects during that year and, to a lesser extent, 2013. Today people are a lot more picky and wary about what they back due (at least in part) to projects that fail to deliver, deliver years later than originally estimated, or completely don’t produce what was promised.

And the controversies surrounding games like Broken Age and now Hero-U won’t help matters. Whether or not these “We’ve run out of money and want your help to finish the game” pleas help or destroy companies remains to be seen. But, based on what I’ve seen over the years the journey will not be a pretty one for those who decide to “double dip” and there will always be people out for blood. Me? I’ll just grab a big ol’ bucket of popcorn and watch the chaos.

Serena Nelson
Serena has been a gamer since an early age and was brought up with the classic adventure games by Sierra On-Line, LucasArts, and Infocom. She's been an active member on Kickstarter since early 2012 and has backed a large number of crowdfunded games, mostly adventures. You can also find her writing for Kickstart Ventures and evn.moe.
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Serena Nelson
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